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Dove of Peace, photo by James Mena

        Big rock in the front yard of a house in Springfield, Oregon


Bob Dylan and Allen Ginsberg at Jack Kerouac's grave.

PLAYBOY: Mistake or not, what made you decide to go the rock-'n'-roll route?

BOB DYLAN: Carelessness. I lost my one true love. I started drinking. The next thing
I know, I'm in a card game. Then I'm in a crap game. I wake up in a pool hall. Then
this big Mexican lady drags me off the table, takes me to Philadelphia. She leaves me
alone in her house, and it burns down. I wind up in Phoenix. I get a job as a Chinaman.
I start working in a dime store, and move in with a 13-year-old girl. Then this big
Mexican lady from Philadelphia comes in and burns the house down. I go down to
Dallas. I get a job as a "before" in a Charles Atlas "before and after" ad. I move in
with a delivery boy who can cook fantastic chili and hot dogs. Then this 13-year-old
girl from Phoenix comes and burns the house down. The delivery boy - he ain't so mild:
He gives her the knife, and the next thing I know I'm in Omaha. It's so cold there, by
this time I'm robbing my own bicycles and frying my own fish. I stumble onto some
luck and get a job as a carburetor out at the hot-rod races every Thursday night. I
move in with a high school teacher who also does a little plumbing on the side, who
ain't much to look at, but who's built a special kind of refrigerator that can turn
newspaper into lettuce. Everything's going good until that delivery boy shows up
and tries to knife me. Needless to say, he burned the house down, and I hit the road.
The first guy that picked me up asked me if I wanted to be a star. What could I say?

PLAYBOY: And that's how you became a rock-'n'-roll singer?

BOB DYLAN: No, that's how I got tuberculosis.

Hunter S. Thompson and Bob Dylan. Hunter dedicated Fear and
Loathing in Las Vegas to Dylan.


         "I get weary of people who use pessimism to avoid being responsible
for all the problems in our culture. A man who says 'we're on the road to
disaster' is seldom trying to wrench the wheel away from the driver. I prefer
the troublemaker."


--Ken Kesey




Don Buchla, modular synthesizer pioneer, dies aged 79
Geeta Dayal

The musician and inventor created the Buchla 200 and the Buchla Music Easel, which were used by Silver Apples
and Grammy winner Suzanne Ciani
Don Buchla. Photograph: Supplied

Friday 16 September 2016 20.57 EDT Last modified on Saturday 17 September 2016 19.01 EDT

Don Buchla, the groundbreaking synthesizer inventor, has died age 79.
He was considered a true iconoclast with an uncompromising vision of what synthesizers could be. His impact
on electronic music was vast; Buchla independently invented the first modern synthesizer at the same time
as Robert Moog, in 1963.
Although Moog is often credited with having invented the first modular synthesizer, Moog even admitted
during his lifetime that Buchla was the first to have a full concept of how to put all the modules together to
add up to an instrument. Buchla tended to avoid the term ‘synthesizer,’ preferring to use terms such as
‘electronic instrument.’
“He invented a whole new paradigm for how you interface with electronics – much more human, and a
whole new thing,” says Buchla’s close friend Morton Subotnick.
Subotnick commissioned the first Buchla synthesizer in 1963 and had been friends and collaborators with
Buchla ever since. “I put an ad in the paper and he showed up,” Subotnick says. “We wanted to make a
new machine.”
The synthesizer, the Buchla Series 100, was finished in 1963. A string of pioneering new electronic
instruments followed the Buchla 100 in the following decades; Buchla was actively designing and
inventing up until his death.
“He was a genius and an adventurer – an adventurer in the real sense of the word,” says his friend,
musician Bob Ostertag. “Almost everything he made was unprecedented.”
Buchla had a major impact on legions of electronic musicians. “Don Buchla gave me my electronic wings,”
says the musician Suzanne Ciani, who first met Buchla in Berkeley in the late 1960s. “He was a consummate
inventor who had genius, unswerving dedication and playfulness in his designs. ‘The Source of Uncertainty’
and the ‘Multiple Arbitrary Function Generator’ modules are two of my favorites. He never wore matching
socks, but oddly, as an enthusiastic tennis opponent, always wore pristine tennis whites. I will treasure the
days I worked for him, and hope to carry on the musical vision that he bestowed upon us.”
The musician Laurie Spiegel, another longtime friend of Buchla’s, says her life was changed forever after
first encountering a Buchla 100 system in Subotnick’s old studio in New York’s West Village in the late 1960s.
“I never figured out what exactly it is about Don’s electronic musical instruments that makes them so musical
in feel,” says Spiegel. “I’ve used quite a few kinds of synths and systems. His were special, magical, musically
magnetic somehow.”
Buchla played a key role in the 1960s California counterculture. He was involved with the Trips Festival in
San Francisco in 1966, in which thousands of hits of LSD were given away for free to the audience. Buchla
also helped build the Grateful Dead’s massive, legendary sound system, along with his good friend, the
infamous chemist and audio engineer Owsley Stanley. “He was very close with Owsley,” says Ostertag.
“Owsley and Don were the two hippie geniuses.” Buchla, he says, would sometimes sit underneath the s
tage at Grateful Dead shows in the 1960s and secretly play along with his synthesizer.
The word ‘visionary’ doesn’t really do justice. He had no fear of anything.
Through his life, Buchla was a true contrarian who never followed trends. He wanted to maximize creative
freedom and possibilities for musicians, and he designed his unique instruments to reflect that. “It doesn’t
bother me that my own ideas in particular have not been widely perceived,” Buchla said in a 1982 interview
in Keyboard magazine. “It does bother me that the powers that be have such short-sighted views of what
musical instrument design and development could be all about.”
Other inventors of electronic instruments looked to Buchla as a friend and inspiration. “Don was very
much a rebel, defying convention at every turn,” says the synthesizer inventor Roger Linn. “It’s so nice to
see the innovative ideas he developed 50 years ago being embraced by so many young electronic musicians.”
Subotnick called him a “wizard of interfaces”. Buchla’s philosophy was that a well-designed instrument
would never become obsolete – to this day, his synthesizers are revered. The tendency, as Buchla argued
in Keyboard magazine, was that when engineers designed instruments, “they design from the inside out.
They design the circuits, and then they put knobs on them.”
“But if a designer expects to design legitimate instruments, he has to design them from the outside in,”
Buchla continued. “He has to build the outside of the instrument first. This is what the musician is going
to encounter. You cannot become obsolete if you design a legitimate instrument from the outside in.”
Buchla also made his own music and performed live, often with unexpected results. “One piece that is an
insight into Don’s more silly personality was a piece where he had us wear giant sunglasses with musical
staves printed on them, while we waited for popcorn on a hot plate to start popping, signaling when we
should play our slide whistles or glissandos on our instruments,” recalls Joel Davel, who worked with
Buchla for over 20 years.
His son, Ezra Buchla, a musician based in Los Angeles, remembered his father as “the most singular person”.
“The word ‘visionary’ doesn’t really do justice,” says Buchla. “He had no fear of anything – leaky boats,
lightning storms, failure. He couldn’t have done what he did without a basic joy in his work and an innate
intellectual generosity that swept people along.”

We got to know and hang out with Don Buchla in 1965 and 1966. We joined up with him at the Trips Festival,
interfacing our figure eight feedback loop lashup with his electronic music maker. Here's the mixer and effects
maker he built for us to use on the bus.




Chilly, drizzly morning, calls for first fire of the season in the wood stove.


                   Been concentrating on writing book and totally ignoring the website, bad me.



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